‘New’ theatre is increasingly moving away from realism. It relies on form, reference and metaphors, it prefers to express itself through movement rather than words. The roots of this trend can be traced back to pop culture (especially music videos), which is taking over more and more areas of our lives.

Maćko Prusak creates choreography for dramatic performances, musicals and off-theatre. He frequently works with Jan Klata – his credits include stage movements for The Trilogy (2009), Road To Damascus (2013), King Lear (2014) and Ubu Roi (2014).

Maćko Prusak w MICET:  Actor / Choreo app